My practice includes broadening the term of scenography to every limit in every direction.
This term goes beyond theatrical spaces and costumes on stage. It is the mixture of perspectives that intrigues me about it. The dramaturgical, the practical, the imaginational creation of space.

We are constantly creating the world around us, as activists, as artists, as humans. We are shaping and changing it, by being there, by being vocal, by our means of communication. Step by step, I unravel the threads of society's fabric to weave a new garment.
Or rather: a tent that we can find shelter in.
The question that needs to be asked is thus: What does the world you want to live in look like?

The world is ours to create, inevitably. If we use our creation in a way that works towards our vision of the world, that can inspire true change. The lines between art and life, between activism and the everyday, human and surroundings, fade away. Nothing is without consequences - in the best and the worst way. Seen in this light, every action is creation. Every creation is change.
Thus, my artistic practice becomes a catalyst: the medium between my world and the world I want to create.

Two kinds of Reflection

The rational reflection, which is based on perceiving the practical matter of the creation. It includes inspirations, the context of myself and my perception of what I am working with. The media for this kind of reflection would consist of words. This reflection is shaped by the translation of my brain.

The sensual reflection is characterized by the senses and/or emotional matter of my process of making. It includes the question of how I can make others feel what I felt during creation (which becomes particularly interesting when I'm working intuitively). This kind of reflection also requires
a translation but not through a particular media or my brain but through myself as an artist and my creation.

An important part of my practice is the deconstruction of the matter that surrounds me. Whether in a political, a social, a personal, in materiality or in a personal sense. I am interested in what is under a construction, what constructs can be revealed.